"...Even if she hadn't been evoking the style
and era of Clooney, Heather Moran would have deserved
the ovations she received for the bloom of her
tone and the nuance of her interpretations..."
--Howard Reich, Chicacgo
Tribune
" Moran's voice is hauntingly evocative
of eras past but the spirit that emerges from
these songs distinctly says, 'now' and 'today.'
Here's a charming and compelling new jazz/pop
presence. You're sure to be hearing more from
Heather Moran. Justice, not to mention good taste,
demands it."--Gordon
Kopulos, Freelance Writer and Contributing Editor,
Down Beat Magazine, 1972-1985
“To me you use your voice like Frank Sinatra and
here’s where I’m going with this. Sinatra, having
worked with big bands, knew how you use his voice
as an instrument…Heather Moran is an amazingly
talented lady.” Steve King,
The Steve and Johnnie Show, WGN 720am
"...Moran is remarkably like Clooney in vocal
timbre and diction. That, combined with Moran's
dialogue with the audience as herself, respect
for the lyrics and even the band, won the intense
singer-composer-audience connection that makes
cabaret remarkable."(Rosie! A Tribute...) Carla
Gordon, Cabaret Scenes
"Heather Moran brings to the table a stage (and offstage) personality that is all at once wide-eyed child and womanly woman. One moment she goofily explains to the audience how she forgot her slip, while in the next she takes us through tender longing in a beautifully sung “Weekend In New England.” While all the ladies sing nicely, Moran’s pipes are, well, remarkable. She can pull volume but not resonance way back to unfurl a ballad so it can resolve in a resonant crescendo of power and dramatic discovery. Unlike many singers with great chops, she doesn’t oversing; cabaret is arguably lyric driven and Moran wisely holds on to that. On the comedy side, her timing is solid and her delivery uninhibited." (Manilow show)Carla
Gordon, Cabaret Scenes

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