"...Even if she hadn't been evoking the style and era of Clooney, Heather Moran would have deserved the ovations she received for the bloom of her tone and the nuance of her interpretations..." --Howard Reich, Chicacgo Tribune

" Moran's voice is hauntingly evocative of eras past but the spirit that emerges from these songs distinctly says, 'now' and 'today.' Here's a charming and compelling new jazz/pop presence. You're sure to be hearing more from Heather Moran. Justice, not to mention good taste, demands it."--Gordon Kopulos, Freelance Writer and Contributing Editor, Down Beat Magazine, 1972-1985

“To me you use your voice like Frank Sinatra and here’s where I’m going with this. Sinatra, having worked with big bands, knew how you use his voice as an instrument…Heather Moran is an amazingly talented lady.” Steve King, The Steve and Johnnie Show, WGN 720am

"...Moran is remarkably like Clooney in vocal timbre and diction. That, combined with Moran's dialogue with the audience as herself, respect for the lyrics and even the band, won the intense singer-composer-audience connection that makes cabaret remarkable."(Rosie! A Tribute...) Carla Gordon, Cabaret Scenes

"Heather Moran brings to the table a stage (and offstage) personality that is all at once wide-eyed child and womanly woman. One moment she goofily explains to the audience how she forgot her slip, while in the next she takes us through tender longing in a beautifully sung “Weekend In New England.” While all the ladies sing nicely, Moran’s pipes are, well, remarkable. She can pull volume but not resonance way back to unfurl a ballad so it can resolve in a resonant crescendo of power and dramatic discovery. Unlike many singers with great chops, she doesn’t oversing; cabaret is arguably lyric driven and Moran wisely holds on to that. On the comedy side, her timing is solid and her delivery uninhibited." (Manilow show)Carla Gordon, Cabaret Scenes

Please visit Heather's MySpace page at www.myspace.com/heatherannmoran